This is a sketch made in an evening. The drums were recorded on their own (while playing along to a different song) and then I recorded bass along with the audio from Ester Hicks channeling about the teaching of Abraham. The interplay between the words and the music is purely an accident. The play start position was essentially random and no audio was shifted after the fact.

You may notice that the content of the words seem to synchronize coincidentally to the music. This kind of stuff happens to me all the time and I tend to see it in everything. It is what Carl Jung termed synchronicity. I believe this can happen even across time. Expressions and energies you put out into the world now, can benefit other people or even yourself at a later time, almost as if you were putting that energy out just for that person. That may sound weird, but the fundamental message is “go with your gut”. Go with the impressions and impulsion that come to you call for you to put certain positive actions and creations out into the world, because those “messages” are more connected to the greater experience of reality than we know and can understand at this time.

entrainment machine Youtube channel

clockwork orange music for the brave new world we have entered

A Clockwork Orange Theme - Wendy Carlos (Cover by entrainment machine)

This is a dressing room cover of Henry Purcell's 1695 piece, "Music For The Funeral of Queen Mary" which Wendy Carlos later arranged with Moog synthesizers for Stanley Kubrick's "A Clockwork Orange". It features a Trevor James alto flute, a Yamaha Reface CP, the Gforce Mtron Pro on a strings setting and a clarinets setting, a G&L L1000 bass through a Nano Cortex with a Darkglass Microtubes grind. It used a RME Babyface as well as Ableton Live.

scrappin on Song For Bilbao #cyberjazz

This is remixed from a livestream where the entrainment machine tried to play Song For Bilbao - only this acoustic guitar solo was good